ANALYSIS RESEARCH
ZHAOXiaosheng(55)
Throughadeconstructiveanalysisofthecoreofpreludesandthewritingofthepiecesofthisgenrewithmaterialsofhomogeneousorcontrastingkind,thevariouschangesofitscore“cell”canbemastered.
(fengdehuisheng》deyinsezhitiyujiegoutujing-jianlunxiiyinyue《
chuangzuozhongzhitidejiegougongneng) QIANRenping72)
Thearticlereveals,byexaminingtheverticalonentofthework,theinnerlogicinanentiremechantofits,thussheddinglightonthemusic’sapplevelsalike.
Music)
WANGSiqi(80)
Basedonthenineculturalcharacteristicsofpopularmusicsummedupbytheauthor,itsconceptisre-demarcated.
XIANGXiaogang(84)
Withananalysisofthestatusquoandexistingproblemsofpopularmusicstudies,the
th
articlesuggeststheprogramsforpopularmusicasapartinthewritingof20-centuryChi2nesemusichistory,thetargetinsodingandthefeasiblemeasuresweshouldtake.
SHIYixiu(92)
Withananalysisofthedevelopmentofcontemporarypopularmusicaftermoderntimes,itshistoricalsetting,socialcultureandpsychologicalcauses,thewriterreveals
thecloseconnectionsbetweenmoderncitiesandpopularmusic.
WANGJianyuan(97)
Thearticletacklestheestablishmentofpopularmusicasadisciplineinconservatoriesanduniversitymusicdepartments,focusingonitssignificance,orientation,andstatusquo.
REVIEW COMMENT
HUANGXudong(100)