EQ均衡模块提供三段均衡（高频，中频，低频）低频±12 160Hz中频±12 800Hz高频±12 3.2kHzAdjusts the low frequency range level. Adjusts the mid frequency range level. Adjusts the high frequency range level. EXTRA EQ/CABI&MIC特别均衡／箱体和麦克风模块３个额外的均衡设置让Ｇ２具有６段均衡设置r并提供箱体模拟模块和ＭＩＣ模拟模块，ETEt 特别均衡Adjusts the three remaining bands of the six-band equalizer. The HARMONICS control allows adjustment of the harmonics frequency range level. LO MID±12 400Hz表现力±12 6.4kHz和声±12 12kHz调节低中频率的程度调节极高频的程度调节和声ＨＡＲＭＯＮＩＣＳ的程度CBCb 提供箱体模拟和麦克风模拟功能箱体与ＭＩＣ模拟并能选择１２Ｘ２或者１２Ｘ４的箱体模拟适合录音与多轨录音的需要MIC TYPEdy, CoMIC POSITION0 – 2两种话筒模式ｄｙ动圈话筒模拟３种话筒拾音模式ｃ为电容话筒模拟０：麦克风在喇叭下方１：麦克风在喇叭的边２：麦克风在喇叭的边缘和中间部分MOD/SFXMOD/SFX(Modulation/SFX) moduleCHCH 合唱包含有延时，合唱，等等的效果模块This effect mixes a variable pitch-shifted component to the original signal, resulting in full-bodied resonating sound. 深度0 – 98, 1.0等级1 – 50混和0 – 98, 1.0调节调制深度调节调制等级在原有的声音和效果声音中进行混合SCSC 立体声合唱This is a stereo chorus with clear sound. DEPTH0 – 98, 1.0RATE1 – 50MIX0 – 98, 1.0调节调制深度调节调制等级效果声音中进行混合在原有的声音和30ZOOM G2.1uZOOM G2
FLFL This effect produces a resonating and strongly undulating sound. 弗兰戈深度0 – 98, 1.0等级0 – 50共鸣-10 – -1, 0, 1 – 10调节此模块的深度TAP调节模块的等级调节共鸣的强度PTPt PITCH SHIFTERThis effect shifts the pitch of the original sound up or down. SHIFT-12 – -1, dt, 1 – 12, 24TONE0 – 10MIX0 – 98, 1.0Adjusts the pitch shift amount in semitones. Selecting \Adjusts the sound quality.Adjusts the level of the effect detuning effect.sound mixed to the original sound.PPPP PEDAL PITCHThis effect allows using a pedal to shift the pitch in real time. COLORSee Table 1MODEUP, dnTONE0 – 10Selects the type pitch change type effected by the pedal. Selects the direction of the pitch change. Adjusts the sound quality.Table 1COLORMODEPedal minimum value Pedal maximum value COLORMODEPedal minimum value Pedal maximum value 1UP-100 cent Original sound only UP-1 octave + DRY +1 octave + DRY dnOriginal sound only -100 cent 5dn+1 octave + DRY -1 octave + DRY 2UPDOUBLING Detune + DRY 500 cent + DRY dnDetune + DRY DOUBLING 6UP-700 cent + DRY dn500 cent + DRY -700 cent + DRY 3UP0 cent +1 octave dn+1 octave 0 cent 7UP-∞ (0 Hz) + DRY +1 octave dn+1 octave -∞ (0 Hz) + DRY 4UP0 cent -2 octaves UP-∞ (0 Hz) + DRY +1 octave + DRY dn-2 octaves 0 cent 8dn+1 octave + DRY -∞ (0 Hz) + DRYVBVb 自动颤音效果颤音深度0 – 98, 1.0等级0 – 50混合0 – 98, 1.0调节模块深度TAP调节调制的等级混合效果声音和原始声音STSt STEP特殊效果，改变其声音，像楼梯一般的音色深度0 – 98, 1.0等级0 – 50表现力0 – 10调节模块深度TAP调节调制的等级调节模块的表现力DLdL 延时此延时最高延时时间为２０００毫秒时间1 – 99, 1.0 – 2.0回馈0 – 98, 1.0混合0 – 98, 1.0TAP可以调节９９级的延时最高延时时间为２秒混合效果声音和原始声音调节回馈数量ZOOM G2.1uZOOM G2
3127
TEtE TAPE ECHO 类似磁带的回声效果时间1 – 99, 1.0 – 2.0回授0 – 98, 1.0混合0 – 98, 1.0TAP通过ＴＡＰ键来调节回声的延时时间调节回授的数量原始音色和效果音色可以通过踏板来混合DDdd This is a dynamic delay where the effect volume changes depending on the input signal level. With positive 动态延时settings, the effect volume increases at higher input signal levels. With negative settings, the effect volume increases at lower input signal levels. 时间1 – 99, 1.0 – 2.0数量0 – 10感觉-10 – -1, 1 – 10TAP通过ＴＡＰ来调节通过踏板来混合调节效果的灵敏度延时的时间原始音色和效果音色DFdF 动态镶边This is a dynamic ?anger where the effect volume changes depending on the input signal level. With positive settings, the effect volume increases at higher input signal levels. With negative settings, the effect volume increases at lower input signal levels.深度0 – 98, 1.0等级0 – 50感觉-10 – -1, 1 – 10调节调制深度TAP调节模块的等级调节效果的灵敏度MPMP MONO PITCH SHIFTERThis is a monophonic pitch shifter with low sound modulation, suitable for single-note playing.SHIFT-12 – -1, dt, 1 – 12, 24TONE0 – 10MIX0 – 98, 1.0Adjusts the pitch shift amount in semitones. Selecting \Adjusts the sound quality. Adjusts the level of the effect sound detuning effect. mixed to the original sound.HPHP HARMONIZED PITCH SHIFTERThis is an intelligent pitch shifter that automatically generates harmonies according to a preset key and scale. SCALE-6, -5, -4, -3, -m, m, 3, 4, 5, 6KEYC, Co, d...bMIX0 – 98, 1.0Determines the interval for the pitch Determines the tonic for the scale used Adjusts the level of the effect sound shifted sound (see Table 2).for pitch shifting (see Table 3).mixed to the original sound.Table 2Table 3SettingType of scaleIntervalSettingType of scaleIntervalSettingTonicSettingTonic-6Sixth down 3Third up CCFoF#-5CoC#GG-4Major scaleFifth down 4Fourth up Fourth down 5Major scaleFifth up dDGoG#-3Third down 6Sixth up doD#AA-mMinor scaleThird down EEAoA#mThird up FFbB32
ZOOM G2.1uDELAY延时模块This is a delay module which allows long delay times and use of the hold function. DLdL 此延时最高可以设定为５０００毫秒延时HOLDPDPd 乒乓延时HOLDECEC 类似乒乓一样左右的进行交替HOLD回声以上三种延时方式可以设置３种参数最高延时可达５０００毫秒时间1 – 99, 1.0 – 5.0回授0 – 98, 1.0混合0 – 98, 1.0TAP通过ＴＡＰ来调节可以通过踏板来混合延时的时间调节回授的数量原始音色和效果音色REVERBThis module comprises various reverb functions such as hall reverb, early re?ection, and 湿声混响模块multi-tap delay. HLHL This reverb simulates the acoustics of a concert hall. 大厅混响RMrM 房间This reverb simulates the acoustics of a room.SPSP 弹簧混响This effect simulates a spring-type reverb. The above three effect types have the same parameters.衰减1 – 30音色0 – 10混合0 – 98, 1.0调节混响的持续时间调节音色的质量混合原始与效果声音EREr EARLY REFLECTIONThis effect isolates only the early re?ection components of the reverb.衰减1 – 30丰满度±10混合0 – 98, 1.0调节混响的持续时间调节音色的丰满度混合原始与效果声音MDMd 多节拍延时This effect produces several delay components with different delay times.时间1 – 99, 1.0 – 3.0模式1 – 8混合0 – 98, 1.0TAP通过ＴＡＰ键来Selects the combination pattern for the 调节延时的时间taps. The selection ranges from 混合原始声音和rhythmical to random patterns. 效果声音ZOOM G2.1u
33
Effect Types and Parameters
CONTROL控制模块Serves for making pedal settings and lets you control the foot switch function and master 设置踏板的控制RTM DESTINATIONSee Table 4FSSee Table 5MASTER LEVEL0 – 98, 1.0当踏板接入When a foot switch (FS01) is connected ＣＯＮＴＲＯＬ ＩＮto the [CONTROL IN] jack, this selects the function that can be operated with 的时候，此功能开启the foot switch (See Table 5). The Adjusts the master level for all patches. function selected here applies to all patches. Table 4Table 5SettingModulation target SettingFunction oFOFF bPBypass/Mute VLVolumetPTap tempo WU, Wd, WH, WLWAH/EFX module (*)bUBank up GU, Gd, GH, GLDRIVE module (*)rHRhythm function on/off MU, Md, MH, MLMOD/SFX module (*)dHDelay holddU, dd, dH, dLDELAY module (*)dMDelay mute
rU, rd, rH, rLREVERB module (*)The operation of modules denoted by (*)
\
changes as follows, according to the letter atMaximum valueright. UUP
这个是指当踏板完全抬起时候Minimum value表示最小值
\
Maximum value DDOWN
这个参数是指当踏板完全踏下去的时候Minimum value表示最大值
\
Maximum valueHHIGH
当踏板抬起，表示参数是最大值
Value set in patch LLOW
\
Value set in patch当踏板，表示参数是最小值
Minimum value30
ZOOM G2.1uSpecifications54
效果模块效果样式Max. 9 simultaneous modules 音色模块User area: 10 patches x 4 banks Preset area: 10 patches x 4 banks 模数转换取样频率96 kHz
数模转换24 bit, 64 times oversampling 24 bit, 128 times oversampling 频率响应信号处理32 bit
20 Hz – 40 kHz +1 dB -3 dB (with 10 kilohms load) 显示2-digit 7-segment LED 输入
Parameter LEDs
额定输入量Standard mono phone jack -20 dBm 输入阻抗1 megohm
输出
Standard stereo phone jack (doubles as line and headphone jack) 最大输出量Line: +5 dBm (output load impedance 10 kilohms or more)控制输出Phones: 20 mW + 20 mW (into 32 ohms load)ＵＳＢ界面
For FP02/FS01
ＰＣ界面16-bit (stereo configuration for recording/playback) 44.1 kHz, 48 kHz
电源要求采样频率
AC adapter9 V DC, 300 mA (center minus plug) (ZOOM AD-0006)
电池
Four IEC R6 (size AA) batteries,
规格Approx. 7.5 hours continuous operation (alkaline batteries) 重量165 mm (D) x 255 mm (W) x 79mm (H) 附件
1100 g 无电源
Expression pedal FP02/ Foot switch FS01
? 0 dBm = 0.775 Vrms ? Design and speci?cations subject to change without notice.●故障处理●查阅第８页无电源无混响
当鼓机开启的时候，混响功能失去作用
●
噪音
确定使用ＺＯＯＭ推荐的电源适配器●
电池寿命过短建议使用碱性电池
ZOOM G2.1uZOOM G2
3531
G2.1u Preset Pattern
#PatternNameTimSig#PatternNameTimSig18beat_14/421POP_34/428beat_24/422DANCE_14/438beat_34/423DANCE_24/448shufle4/424DANCE_34/4516beat_14/425DANCE_44/4616beat_24/4263per43/4716shufle4/4276per83/48ROCK4/4285per4_15/49HARD4/4295per4_25/410METAL_14/430LATIN4/411METAL_24/431BALLAD_14/412THRASH4/432BALLAD_23/413PUNK4/433BLUES_14/414DnB4/434BLUES_23/415FUNK_14/435JAZZ_14/416FUNK_24/436JAZZ_23/417HIPHOP4/437METRO_33/418R'nR4/438METRO_44/419POP_14/439METRO_55/420POP_24/440METROZOOM CORPORATION
ITOHPIA Iwamotocho 2chome Bldg. 2F, 2-11-2, Iwamoto-cho,Chiyoda-ku, Tokyo 101-0032, JapanWeb Site: http://www.zoom.co.jp
G2.1u - 5000-1
现场演奏Name of patchesＧ２．１ｕ预设音色的效果表录音特性关键效果模块RECTIFYING有力的失真音色，适合金属ＲＩＦＦ或ＳＯＬＯ，适合重摇滚音乐A0C0建议专辑: \BG DRIVELUSH LIFEA1C1配以合唱和延时的清音音色，适合流行音乐和ＳＯＬＯ可以通过踏板控制音量CHORUSThe Pie可用踏板控制效果来自ＭＡＲＳＨＡＬＬ ＪＣＭ８００的失真音色，适合朋克音乐MS A2C2建议专辑CRUNCH: “Smokin’” by Humble Pie (1972)SynthDaze来自ＭＴ－２的失真，带来怪异的音色，并可通过踏板控制效果METALA3C3建议专辑: “Wired” by Jeff Beck (1976)ZONEFENDER CLEAN来自ＦＥＮＤＥＲ ＢＬＡＣＫ ＦＡＣＥ的清音音色A4C4并可以通过踏板来做出颤音的音色FENDERCLEANMr. Fripp丰满的音色，来自于ＭＸＲ的ＤＹＭＡ ＣＯＭＰFUZZA5C5和ＤＡＬＬＡＳ的ＦＵＺＺ ＦＡＣＥ，建议采用琴颈拾音器建议专辑: “In The Court Of The Crimson King” by King Crimson (1969)FACEFUNK PLANET哇音音色，可以通过踏板来控制效果音色A6C6建议专辑: “Ship Ahoy” by O’Jays (1973)PHASERNUANCE DRIVEA7C7并通过踏板控制合唱效果来自ＢＯＳＳ ＯＤ－１的高质量过载音色OD1C MAJOR HARMONYＣ－ＭＡＹＯＲ和弦的合唱音色，具有立体感A8C8并可以使用踏板控制PV DRIVEACOUSTIK原声吉他模拟，建议使用单线圈吉他ACOUSTICA9C9配合踏板控制合唱效果SIMPOWERED BY有力的失真音色，可以通过踏板控制音量 B0d0建议专辑: “Dookie” by Green Day (1994)PV DRIVEBREATH YOU TAKE带延时的干琴音色B1d1推荐专辑: “Synchronicity” by the Police (1983)JC CLEANSANTANAB2d2类似ＳＡＮＴＡＮＡ的音色 BGCRUNCHORANGE CRUSH推荐专辑: “Amigos” (1976) and “Shaman” (2002) by SantanaB3d3带ＦＬＡＮＧＥ的失真音色，可以通过踏板来进行控制GUV'NORAC CLEAN推荐专辑: “Barracuda” by Heart (1972)B4d4ＶＯＸ ＡＣ系列音箱模拟的清音音色CLASS ACLEANBIG WALL推荐专辑: “1962-1966…Red Album” by the BeatlesB5d5猛烈的失真，并可以使用踏板来控制音高BG DRIVEVibroCrunchB6d6并可以 通过踏板来实现颤音音色和ＦＬＡＮＧＥ的组合往上为颤音，往下为ＦＬＡＮＧＥＲVIBRATO1984B7d7来自ＰＥＡＶＹ ５１５０的失真音色，范海伦的典型音色MS DRIVE推荐专辑: “1984” by Van Halen (1984) B8d8FENDERHEAD LONGReferenced album: The soundtracks from “007, Dr. No” (1962)ＦＥＮＤＥＲ的清音音色，可以使用踏板控制混响效果CLEAN得到一种非常怪异的音色B9d9类似电子的感觉STEPReferenced album: “Innuendo” by Queen (1991)著名音箱上的建议设置Marshall JCM-2000In case of patches for Live?iA 0?`A9?Ab0?`b9 ?jIn case of patches for Recording?iC0 ?`C9?Ad0?`d9 ?jEQUALISATIONCLASSIC EQUALISATIONCLASSIC GAIN / CHANNEL GAINA / CHANNEL A6464646OFF46OFFOFF4OFF46OFF424824568OFF248OFF2468OFF2426820822825824060682416824828282280100100100100001001001001001001000010010DEEPPRESEMCETREBLEMIDDLEBASSCHANNELVOLUMEINPUTDEEPPRESEMCETREBLEMIDDLEBASSTONE SHIFTCHANNECHANNELVOLUMEGAININPUTTONE SHIFTCHANNECLEANGAINCRUNCHCRUNCHCLEANFender TWIN Reverb In case of patches for Live?i A0?`A9?Ab0?`b9 ?jIn case of patches for Recording?i C0?`C9?Ad0?`d9 ?j12BRIGHT54309865465412BRIGHT5435465465462178.5666753753237273737175828218182828891491914.5995151NORMALOFF901230101901010101VOLUMETREBLEMIDDLEBASSNORMALOFFVOLUMETREBLEMIDDLEBASSRoland JC-120In case of patches for Live?iA 0?`A9?Ab0?`b9 ?jIn case of patches for Recording?i C0?`C9?Ad0?`d9 ?jCHANNEL-1CHANNEL-1HIGHBRIVOLUME5TREBLE5MIDDLE5BASSHIGH5BRIVOLUMETREBLEMIDDLEBASS5555LOWOFF555LOWOFF0100~3010010010010010010010010When you use guitar amp for recording patches, not only intended modeling sound will not existing, but also you hear harsh-sounding sometimes. Please adjust guitar amp setting as above reference.Introduction for newly developed effectsEarly Reflection is the component of the reverb sound that reaches to the listener first Early ReflectionThis is the so-called ducking effect: the mix balance of the dry signal and the effect Dynamic Delay/Dynamic Flangerafter the original sound has bounced off the wall. The reverb sound consists of this signal of a delay or a flanger is controlled by the envelope of the original signal of the early reflection and the late reflection, and the former characterizes the size of the guitar.room. The early reflection effect extracted from the whole reverb sound has been In the Dynamic Delay section, you can set the “SENSE” parameter to the minus value quite popular among the rack-mounted signal processors but we have arranged this to get the ducking delay effect: the feedback component in the delayed signal is not effect on the G series especially for the guitar. To get the most popular type of this put out while there is an input signal and the feedback component arises as soon as effect, you can set the “SHAPE” parameter to the plus value (decaying effect) and the input signal is muted. This effect is very handy when, for example, you play fast adjust the “DECAY” parameter to decide the size of the simulated room. If you phrases on the guitar and the feedback component gets in the way. On the other would like a wild effect, set the “SHAPE” parameter to the extreme minus value and hand, you can set the “SENSE” parameter to the plus value and you will have the you will get the special effect that sounds like the tape machine played in reverse.feedback component while you are playing the guitar and you can cut off the feedback as soon as you mute the guitar, which should be very handy in the break of a song where you want to mute all of the sound.In EXTRA EQaddition to the frequency ranges of 160Hz, 800Hz and 3.2kHz (LOW, MID and The same thing goes with the “Dynamic Flanger”: you can set the “SENSE” TREBLE respectively,) controlled by the normal EQ module, you can boost or cut the parameter to the minus value and you will get no flanging effect while the input ranges of 400Hz, 6.4kHz and 12kHz using the LOW MID, PRESENCE and HARMONICS signal is high and you will get flanging effect when you lower the signal level of the controls respectively in the EXTRA EQ module. These frequency ranges are rarely input. You can get a unique effect like a long note that is completely dry at the controllable with other effect devices made for guitars. With “PRESENCE” you can beginning and then the flanging effect is gradually added as the signal level of the adjust the high frequency range that affects the projection of the sound and with note decreases. On the other hand, you can have the flanging effect only when you “HARMONICS” you can tweak the overtone contained in the clipped sound. The play loud if you set the “SENSE” parameter to the plus value. This effect works great overdriven sound of tube amplifiers is rich in overtone and this EXTRA EQ module is when you want to embellish the accents in your arpeggios and riffs or to add a indispensable for the simulation of this aspect of the sound.hidden flavor to your lead guitar sound.With Multi Tap Delaythis effect, you can utilize up to eight independent delay lines whose delay times can be set separately to make rhythmical patterns. We also provided eight practical settings ranging from the constant rhythmic pattern to the random one. Try pattern 2 for example: the played notes are fed back like rhythmical patterns that will inspire you to come up with various phrases one after another. You could apply this effect to your solo performances as something different from the sound-on-sound Such as product names and company names are all (registered) brand effect. This effect is programmed as a stereo ping-pong delay and thus we strongly names or trade marks of each respective holders, and Zoom Corporation is not associated or affiliated with them. All product names, explanation recommend you to try it using headphones. The delay time can be set to 3 sec. and images are used for only purpose of identifying the specific products maximum.that were referenced during product development.